‘Cowboy Bebop’ fails on Netflix | WIRED


In bold LED lettering, the word “PORN” aired itself behind the rooftop fight scene earlier Netflixthe new live-action Cowboy Bebop—Each letter is different in color and shape, such as a cutout from a teen fashion magazine, or a hostage note. The sign leans, shines and shines, against some part of the architecture, but the Spike, Cowboy BebopThe sci-fi bounty hunter protagonist, never acknowledges it. In fact, no one seems to know — invisible to visitors from the building below or to the spaceships flying above. “PORN” is there for the camera, and the camera bothers with it.

Not good to say Netflix Cowboy Bebop the fourth wall was destroyed. In fact, as a live-action adaptation, it should-a certain self-consciousness is needed to translate a cult-classic anime into a third dimension. If it doesn’t nod to the bubbling construction of 23 years of fandom, the show will look separate. So, nod it. It remakes the famous jazz-backed intro. The actors did their best with the sound of the copy-and-paste lines from the anime, but there was more enthusiasm. At one point, Faye Valentine specifically uttered the phrase “I can’t carry the weight,” a return to the sad ending scene of the original series: “You carry that weight -aton. “

As a translation project, though, Netflix’s Cowboy Bebop failed. In fact, it probably failed to become many of the quickest descriptors: an adaptation, a reimagining, an interpretation. WHAT Cowboy Bebop so, as far as its hammy cyberpunk signage and the nails of the cheap-looking set, it’s a show. For whom, it is completely unclear. But in an era of prestige media that is sure to have the audience, the “PORN” sign is always visible.

Cowboy Bebop held as the North star of the anime, an absolutely undeniable “favorite” for dabblers and heads. It features characters in a noir film, Jackie Chan action sequences, music from a New York jazz club, and the superstructure of a space opera. And because it’s episodic and less plot driven, Cowboy Bebop avoids the classic anime pitfall of gating that affects the moments behind many filler episodes. Everyone loves it, because it’s good and because it’s for everyone.

Announced in 2017, Netflix’s Cowboy Bebop always disappointing fans of the original anime. There is no way around it; the bar is stratospheric, raised higher to infinity in the animation medium. Live-action anime adaptations, richly laid out, have long failed to engineer the heart of their original anime. (See: Fullmetal Alchemist, Ghost in the Shell, Death Note). A large and compelling contingent of otaku would argue that it is impossible to adapt artform, especially sci-fi anime, to live-action without it feeling paraphrased.

Early teasers and trailers are shown Cowboy Bebop be polite, at the very least, with extensive photographs of its most intimate scenes. And fortunately, showrunner André Nemec, is known for Mission Impossible: Ghost Protocol, will release the right people: John Cho as Spike Spiegel, Daniella Pineda as Faye Valentine, and Mustafa Shakir as Jet Black. (The show’s outstanding performances come from Elena Satine and Alex Hassell, who play Julia and Vicious — characters even the most enthusiastic. Cowboy Bebop Fans will agree that it’s not very useful.) Described the anime as a “roadmap” during an interview at the RE: WIRED conference last week, Nemec explained. Cowboy Bebop “Presents a optimistic outlook on the future that it should be multicultural and gender-fluid.”



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