‘Dune’ A Novel Adaptation Done Right

Denis Villeneuve’s new film Dune adapted from a 1965 novel by Frank Herbert. Writes on TV Andrea Kail says the new film is more successful than previous adaptations of the story.

“It fulfilled every one of my expectations,” Kail said in Episode 491 of Galaxy Geek’s Guide podcast. “It’s exactly what I was hoping for in an adaptation of one of my favorite books of all time.”

Galaxy Geek’s Guide host David Barr Kirtley mouyon niana Dune for a first-rate adaptation. “It’s great to have science fiction movies made by people who really respect the source material,” he said. “Unlike in the’ 80s, where they would always take a book and the director was like, ‘I have a lot better ideas than this crazy book,’ and they would change everything.

Fantasy author Raj Khanna | enjoyed the film, but hoped it included more of the rich construction of the novel world. “A lot of weird stuff is skipped – a lot of stuff about the mentats, and Dr. Yueh and his entire conditioning, and even deeper into Bene Gesserit and Kwisatz Haderach, and the guild navigators , “he said. “The things that were given little exposure to this film were a disappointment for me, because I think one of the best things about the novel was the weird things he did.”

Science fiction writer Matthew Kressel hopefully an extended edition of Dune can bring back some of his favorite scenes from the book. He is also excited to see more of Dune universe in the upcoming sequel Dune: Part Two. “It is Dune a movie that I have wanted for a long time, ”he said. “And I’m excited for the sequel. It took a long time, but we waited long enough, for me wait a year or two. ”

Listen to the full interview with Andrea Kail, Rajan Khanna, and Matthew Kressel on Episode 491 of Galaxy Geek’s Guide (surface). And check out some highlights from the discussion below.

Rajan Khanna in the adaptation:

“I’m not the target audience of this film. Although I love it Dune as a novel, film adaptations are usually unnecessary for me. I have a book I can read, and that book has specific things, and a film adaptation for me is always an exercise in ‘Oh, they changed that’ and ‘Oh, it’s interesting how they do it. management. ‘ Sometimes it can be weird, but I’m not one of those people like, ‘I really hope they remake Dune as a movie and make it very beautiful. ‘ So that comes into play in terms of my expectations. If it had been a terrible movie, I would have been disappointed, but I wouldn’t have felt betrayed in any way, or that it ruined my one time having a good one. Dune adaptation. ”

Matthew Kressel on pacing:

“There’s a part of the movie, maybe two-thirds to three-quarters of the way, where I feel like we’re just playing ‘mouse chase.’ Basically like, chase scene, stop, fight scene, chase scene, stop, fight scene. There was a point, almost at the time when they would go to the research station, and Dr. Kynes showed them the plants and explained that he wanted to make a green Arrakis, where I was like, ‘It’s cool,’ and then there was another fight scene … All the scenes were very nice, but there was a moment where I was there. very few have invested in it because it has been going on for a long time. I think I wanted, in those moments, just a beat story.

Andrea Kail in character:

“It’s a story of a future age. [Paul] became a man — not only to assume his father’s role as Duke, but also to separate from his mother’s control. Because he said, ‘We have to leave the world,’ and he cut him off and said, ‘No. Our path is through the desert, ‘and he just has to accept it. There was a shot, almost to the end, where he and Chani looked at each other, and then he looked at his mother. He knew it was dreams, and he knew it was the woman he dreamed of. They smile a little at each other, then Paul walks away, and you see this very subtle change in Jessica’s face from ‘happy’ to ‘rocky.’ And the implication is, he doesn’t want her to be with him. ”

David Barr Kirtley in Hollywood:

“I always thought that every two or three months there was a big, blockbuster science fiction movie we could talk about, and never in the last two years, because of the pandemic. I never appreciated how big it was. loss to feel for me, and how hard it is, actually, to make a weekly podcast of science fiction. ”So I thank everyone for how dangerous Hollywood really is. all if people don’t watch these movies and go to the movies.That’s why I have a new found appreciation for directors like Denis Villeneuve and movies like this, and I just hope everyone does what they can to support them, if you want things like this to continue.

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