Yoko Taro Sees the End of Video Games As We Know Them


“Video games are unique in that, as long as they are computer -mediated and include some kind of interactivity, their physical form is less important. In fact, the moment [media] includes some sort of lever controls or a set of options from which to select, it can then be considered a ‘video game.’

“On the other hand,” Taro explains, “if we go with the idea of‘ being computer-mediated and include some kind of interactivity, ’then withdraw money from an ATM or buy a can of soda from a vending machine can be categorized in the same manner. However, we don’t call these ‘games.’ Then what about actions like competing for multiple ‘likes’ on your social platforms? What about online stock investment? If you start to think more deeply, I’m sure you’ll understand how vague and uncertain ‘video games’ are.

That ambiguity can sometimes be an asterisk. And in the case of Taro’s new project, Voice Cards: The Isle Dragon Roars, it can be an invitation to try something new. The collaboration with Yosuke Saito (Nier: Automatic), Keiichi Okabe (Deny, Drakengard 3), and Kimihiko Fujisaka (Drakengard, Fire Emblem: Heroes) taps the same card-based genre to be produced Loop Hero, Kill the Spire, ug Inscryption, but the game, from Oct. 28, is described entirely by the medium of cards. There are swords, a little magic, and a protagonist named Ash who silences a recently revived dragon with the help of a black witch who hates scales and a monster friend. with connectivity issues. That’s too much Deny, and in Deny– possible way, Voice Cards uses dice, battle boards, and a Game Master (pronounced in English by Todd Haberkorn) to illustrate familiar themes that players love.

“I think people always misinterpret me, because my interests don’t lie in philosophy, but, in people,” Taro explains. “It’s so much fun to describe the complexities and wonders of people, and so I don’t think I’ll lose interest in that. For example, sex is a very important act as ‘an expression of love’ or ‘to preserve species,’ but once it has become a form of footage, it can be banned from viewing. I felt intense pain at how deeply the man’s insides were moving. ”

Yoko Taro on stage at E3 in 2015.

Photo: Christian Petersen/Getty Images

Taro’s penchant for the human psyche is the reason his published works are so appealing. Released with narrative outliers such as prey and Hellblade: Senua’s sacrifice in 2017, Nier: Automatic continues as a majestic replayable 40-hour hack ‘n’ slash drama that thoroughly explores existentialism, the futility of war, and the divinity of human beings. It convinces players to understand for a better understanding of the existing crises faced by its characters, and even uses the amount of replaying it to recontextualize the antagonists and their motivations.

Nier Replicant (sometimes called simply Deny) —A 2010 spin-off from Taro’s Drakengard series — more exciting, but its themes continue no matter what. The protagonist’s journey to save his brother from a deadly disease known as Black Scrawl is rooted in the themes of possession and reincarnation. Its complexities have sparked internet debate among fans for many years, and its themes are topics in philosophy classes. With the help of an updated version, 2021’s Nier Replicant ver.1.22474487139 (Sale away steam), it’s already an accessible birth check and a comeback worth going back to, even for fans of the original.



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